Friday 18 May 2007

Aesthetic vs practical in Chess

Westin vs Karlsson, Stockholm Chess 1973



















When researching today's chess puzzle, I came across this position from Westin - Karlsson, Stockholm 1973. Black won beautifully by 'walking into' a knight fork:

1 ... Kf7; 2 Nxd6+ Ke7; 3 Qxb5 Nf4+ with mate next move

There's no doubt that 1 ... Kf7 is an inspired and beautiful move. Indeed, Kotov awards it two exclamation marks in "Train Like a Grandmaster", but is it the best move in the position? What if White declines to play the queen winning fork, and instead plays something like 2 Qd2? Black is still considerably better, but the game is prolonged.

The strongest moves in this position are in fact more straightforward options like 1 ... Rf6 or the more difficult to spot 1 ... Qe8 (see our previous post about pieces going backwards).

What gives us the greatest pleasure, the aesthetically beautiful concept or the best practical move? Would Reti - Alekhine have claimed it's place in chess history if Alekhine had played the routine but strong ... Ra3 instead of ... Re3?

I'll leave you to ponder this paradox between pleasure and perfection in chess, and to dream of the chance to play ... Kf7 or ... Re3!

2 comments:

Ryan said...

Although I like to think of myself as a logical/scientific person, chess allows me to give free reign to what little artistic side I have, so I enjoy seeing aesthetically pleasing moves, even if they aren't necessarily the best move or even strictly sound.

Morphy's Rxf2 versus Bird springs to mind as another example.

http://tinyurl.com/2vrclv

I think the chess world would be a poorer place if Morphy and others like him had played the 'technically' best move instead.

Prashant said...

I agree with Ryan on this one.Playing such pleasing moves might be called "Going for Glory" and "The point on the table is more important than fireworks on the board"....
But this is what attracts people to this game, calculated chaos and a test of the human psyche.
Playing technical moves all the time is like modern chess (with the exception of Topalov, lets say)
and Morphy, Steinitz and others showed that the romantic era of chess paved the way for the technical one and the two compliment each other.

Presentation

Chess Tales uses Picasa, part of Google Pack, for photos and images:

Find a sponsor for your web site. Get paid for your great content. shareasale.com.

Creative Commons License
Chess Tales by Roger Coathup: A collection of online articles about chess and chess players.